Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no-one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one of the most discussed books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it really end the means by which you planned it in the beginning?

A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the writing process.

Q: We understand you worked on the initial screenplay to get a film being according to The Hunger Games. What could be the biggest difference between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you can not take everything with you. The story has to become condensed to fit the newest form. Then there's the question of how best to consider a novel told inside first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you won't ever leave Katniss for any second and so are privy to all of her thoughts so you will need a approach to dramatize her inner world and to generate it possible for other characters to exist outside her company. Finally, there is the challenge of the way to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lots of the situation is acceptable over a page that couldn't survive over a screen. But wait, how certain moments are depicted may ultimately be in the director's hands.

Q: Have you been able to consider future projects while working on The Hunger Games, or are you immersed inside the world you are currently creating so fully who's is simply too hard to think about new ideas?

A: I have a few seeds of ideas boating during my head but--given much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges i can commence to develop it.

Q: The Hunger Games is an annual televised event through which one boy and one girl from each from the twelve districts is made to participate inside a fight-to-the-death on live TV. What do you imagine the selling point of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an fascination with seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the opportunity for desensitizing the audience, in order that whenever they see real tragedy playing out on, say, the news, it does not hold the impact it should.

Q: In the event you were forced to compete inside the Hunger Games, what do you think that your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope could be to have hold of an rapier if there was one available. But reality is I'd probably get with relation to its a four in Training.

Q: What do you hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements from the books could possibly be relevant in their own lives. And, if they are disturbing, what you might do about them.

Q: What were some of your favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time it can be for world control. While it can be a clever twist about the original plot, it indicates that there's less focus around the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life in a less vibrant Katniss by displaying despair both at those she feels accountable for killing and and also at her own motives and choices. This is definitely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels along with the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to an unsure resume sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and different challenges of each and every from the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.